Monday, June 28, 2010
Saturday, June 26, 2010
Leech live at Superfresh last night
great set last night b! i got to dance with some cute ravers for a second too. rad!
Wednesday, June 23, 2010
Shows
Lots of good shows this week!
We Like Cats is playing their first show/record release party TONIGHT!
at holocene with Rob Walmart and Selector Dub Narcotic!
I will be playing in a 6 channel drum machine circle on Thursday with Solenoid and Strategy also at Holocene.
On Friday Brian Foote will be be doing his first live performance as Leech with Nice Nice at Rotture and Saturday night is Cosmos with all of my favorite local DJs.
more info here and here
Labels:
leech,
portland djs,
solenoid,
Strategy,
we like cats
Tuesday, June 22, 2010
Friday, June 18, 2010
leech 'i can't kick this feeling when it hits'
here's a cover i did of one of my favorite moodymann songs. got the idea for it when i came across a reggae cover of 'i want your love' by chic [which is what moody's song is built from] and used it as the basis for this version.
here's the original in case you are unfamiliar. love how it hovers.
Sunday, June 13, 2010
Technique
Three remixes by one of my favorite bands of all time from their cool, baggy, Joe Bloggs, acid, bleach tips, MDMA, MIDI period.
1. Manchester group 808 State's acid remix of Blue Monday.
VIDEO
Blue Monday (So Hot Mix)
2. Chicago house mix of Fine Time by Steve "Silk" Hurley.
Fine Time (Silk Mix)
3. Detroit techno mix of Round & Round by Kevin Saunderson.
Round & Round (Detroit Mix)
Saturday, June 5, 2010
Paging Dr. Marble
Matt Marble is not actually a doctor, but he is a candidate for the Phd in Music Composition at Princeton University who resides in New Jersey and Oregon. He also is a "sound-worker", an artist, and an enthusiastic dancer. Matt also curates the excellent Faces of Sound blog and produces experimental and popular musics. You know, musicing, trancing, languaging, the us'. He's currently working on his doctoral thesis on the music of Arthur Russell.
I asked Matt to give me some recommendations for books on sound several years ago, but never followed up. Instead of bugging him all over again, I asked him to write a little something for e-Blog.
Top 5 Books on Sound
Notations 21 - - - - - - - - - - - - - - - - - - - - - -
by Thersa Sauer
Since John Cage's Notations came out in 1969, there has been surprisingly little documentation of graphic scores. Theresa Sauer's book offers a glimpse into the contemporary marriage of eyes and ears. She features the classics (Yuji Takahashi, Earle Brown, David Rosenboom, and Karlheinz Stochhausen) through to contemporary sound artists (Steve Roden, Steven Vitiello, Marina Rosenfeld, and Slavek Kwi). The design shines on the visual and it is well done. If only there were an audio CD accompanying! But Thersa continues to champion this work, via her
Related: Agape (Alex Waterman); The Sound of Painting: Music in Modern Art (Karin Von Maur); Sound and the Visual Arts (Jean-Yves Bosseur); Scratch Music (Cornelius Cardew); Scores: An Anthology of New Music (Roger Johnson); Tools of Mind (Matt Marble)
Listening: An Introduction to the Perception of Auditory Events - - - - - - - - - - - - - -
by Stephen Handel
If you're interested in the science of sound (acoustics), of how we experience sound (psycho-acoustics and physiological anatomy), or the underpinnings of Western European music, then Stephen Handel's book is the most current (1989) comprehensive general-reader-friendly book out there. A great reference book if you're likely to reference such things.
Related: Microsound (Curtis Roads); Acoustic Communication (Barry Truax); Ecological Psychoacoustics (Marie-Reiss Jones); Auditory Imagery (Daniel Reisberg)
Water Sound Images: The Creative Music of the Universe - - - - - - - - - - - - - -
by Alexander Lauterwasser
We think of sound as invisible. But following in the footsteps of Ernst Chladni and Hans Jenny (inventor of the visually compelling Cymatics), Alexander Lauterwasser asks us to see how these vibrations give rise to incredibly beautiful and naturally pervasive forms. His studies vibrated water with Tibetan Monk chanting, Bach, Stockhausen, gongs, and other musical curios. He goes on to make connections between such forms and the developmental forms of plants, jellyfish, shells, clouds, and animal patterns. The book is simply beautiful. It works more as poetry and mytho-dream web than as any credible science, though it has a foot in that world. But artistically it offers an alternative way of listening to, looking at, and playing with sound.
Related: Cymatics (Jans Jenny); Harmonography: A Visual Guide to the Mathematics of Music (Anthony Ashton); The Book of Music and Nature (David Rothenberg); Rhythmanalysis (Henri Lefebvre)
Origins of Music - - - - - - - - - - - - - - - - - - - -
Edited by Nils Wallin et al.
You might be interested in this book if you're curious about... animal communication, animal music, the relationship between language and music, the evolutionary function of music. A broad anthology, featuring anthropologists, musicologists, biologists, archeologists, psychologists, neuroscientists, linguists, and composer François Bernard-Mâche. "What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures?"
Related: Healing Sounds of the Malaysian Rainforest (Marina Roseman); Sound and Sentiment (Steve Feld); Hearing Cultures (Veit Erlmann); Auditory Culture Reader (Michael Bull)
Deep Listeners: Music, Emotion, and Trancing - - - - - - - - - - - - - - - -
by Judith Becker
Borrowing Pauline Oliveros' notion of Deep Listening, Ethnomusicologist Judith Becker offers one of the most intriguing plunges into global trance musics. With a gentle empericism Becker globally connects the dots between sounds, actions, emotions, and our heightened psycho-physical experiences of music. She draws much from Empirical philosophy (William James), post-structuralist French sociology (Pierre Bordieur), and contemporary cognitive science, but in a language that leaves the door open and stays compelling. The accompanying c.d. is just awesome, featuring: Sri Lankan ritual music, the Italian Tarantelle, Nusrat Fateh Ali Khan's trance practice, the Hindi Gazal, Balinese witch ritual music, Sacred Harp singing, Pentecostal gospel music, and South Sulawesi ceremonial music.
Related: Music and Trance: A Theory of the Relations Between Music and Possession (Gilbert Rouget); Rhythm, Music, and the Brain (Michael Thaut); Sonic Warfare: Sound, Affect, and the Ecology of Fear (Steve Goodman); Unlocking the Groove (Mark Butler); African Rhythm (Kofi Agawu)
Labels:
books,
matt marble,
psychoacoustics,
sound,
the brain
Thursday, June 3, 2010
A couple of my favorite songs of late.
Amazing acid rework of nowave guy James Chance's Incorrigible by Liv Spencer (House of House and Still Going) and DJ Spun.
Incorrigible (Liv Spencer And DJ Spun Mix) RONG
We Like cats hit dub
Meow Hear Me Roar MARRIAGE
My Cousin Roy gave me this record for my birthday and it's incredible.
Neurotic Drum Band
Robotic Hypnotic Adventure (Runaway Remix) WURST
Thanks Roy!
Last but not least Omar S doing classic acid.
Mid 90's FXHE RECORDS
Make yourself happy and buy all these records.
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